Monday, April 27, 2009

Easy Star All-Stars - Where East Meets West: A depiction of the importance of locality



Easy Star All Stars are ground-breaking reggae/dub collective that reside from New York City. They have been around for five years and cover iconic rock albums but give them a reggae twist. Albums they have covered include Pink Floyd's Dark Side of the Moon, Radiohead's OK Computer and most recently, The Beatle's Sgt Pepper's Lonely Hearts club album.

The result is something fantastic. Who would have thought to incorporate reggae music with such influential and recognizable music? The genre-defying remakes have produced undoubtedly some of the most successful reggae albums of all time and with praise and recognition coming from the likes of Radiohead and Pink Floyd they must be doing something right.





I don't know how many of you are into reggae music. I myself am a huge fan... regardless of this there is no doubt that Easy Star All Stars have approached an amazing concept. All of their records combine two opposing styles of music and the result is a soulful creation which emphasizes the authentic expression of reggae music which encourages people to look beyond the 'veneer' of established music styles and value what is inside. By this I mean to refer to the way the lyrics and thoughts behind the classic styles are meant to be valued for what they really mean, not what only how specific cultures intend them to be percieved.

Easy Star All Stars succeed in bringing an understanding of the importance of locality in the meaning of music. John Street in his article '(Dis)located? Rhetoric, Politics, Meaning and the Locality' understands the importance of the geographic origins of the music as fundamental to comprehending its message and underlying significations. It is not hard to find reference in any work of reggae music to its site of origin and its homeland. The world wide knowledge that reggae has originated from the Carribbean is significant in what brings the appeal to reggae music, incorporating its soulfulness and rhythmic sounds to the laidback attitudes and relaxed nature associated with Carribbean and Jamaican culture. The ability Easy Star All Stars has to defy place and bring reggae attributes into conjunction with alternative genres and produce polished vintage reggae demonstrates the artisitc ability of the performers, and also authenticates their music.

The juxtaposition of black and white, laid back and rock, past and present acts as a suitable theme to the Easy Star All Stars music. Street perfectly puts this realisation into words when he says, 'Place here signifies 'rootedness' as authenticity, as a kind of 'realism'. The realism expressed through this new mix of genres and music gives its listeners a form of explanation of the locality of reggae,not only where it has come from but where it can go and is going. The juxtaposition used here encourages listeners to bring aspects of the familiar reggae subculture into their everyday lives through the incorporation of recognizable popular tracks.

There is no doubt that the music created by this unique quartet inspires a form of escapism, as listeners can connect with thier innermost emotions generated through the expressive application of mixed genres. It enables the symbolisms associated with specific music types to resonate, generating a strong sense of community and belonging to those who appreciate it.

Check them out for yourselves at http://www.myspace.com/easystarallstars

Wednesday, April 22, 2009

The Reggae Stigma

Coming back to this thought of the stigma of reggae music... Here is the answer posted on the Lion of Zion site (link below).

Yes, there is a stigma attached to reggae music. When most people think of reggae they think of; Bob Marley, Jamaica, Selassie worship, ganja, jammin' and feelin' irie, etc....

Although Bob Marley was the first international reggae star and is the crowned king of reggae, there is so much more to reggae in beliefs, artists and styles then Bob alone. It is hard to be a non Jamaican doing Jamaican music, but there are countless reggae bands from all over the world now that are making it easier. It has been artists like UB40 and all of the other UK bands that are huge, not to mention Big Mountain and all of the American reggae bands that have helped to pave the way for us and make reggae that is not of Jamaican decent more accessible and accepted. The Selassie worship and ganja stigmas are the hardest for us to combat. Many people still think that Christian reggae is an oxymoron. This is not the case since it has always been spiritual. In fact, reggae music began in the Christian church in Jamaica and most of the popular reggae artists today started in the Christian church. As Christafari it is our desire to take reggae back to its true foundation.

I honestly don't feel uncomfortable on stage at a non-Christian venue. Although I am by no means ignorant of my surroundings and of the spiritual warfare that takes place. I often feel like Paul at Mars Hill. Jesus said that it is the sick that need a doctor, and I can't think of a people group that need more spiritual guidance than those who go to bars and set out to get as drunk as possible and go home with a new person every night. I was there at one time in my life. I know what it is like. They are searching for something to complete them. Something to fill the void in their life. They are trying to reach that ultimate High. Just like the U2 song they "Still haven't found what their looking for". And they won't until they receive Christ. There is no high like the most High!

Believe it or not, in those type of places we receive an extremely warm welcome. You see reggae music is the perfect vehicle for the gospel of Jesus Christ because it is inherently spiritual. In our music we simply glorify Jesus Christ and not Selassie. However, we still receive some persecution from the legalistic church for this type of music and ministry. But those aren't the people that we are called to reach in the first place.


In reading this I can understand a great deal about the significance of both the aesthetics and underlying components in the reggae subculture.

The anonymous respondant understands reggae from its bases, from its roots. The original indigenous expression has often conflicted with social ideas and the resulting stigma which has become established in commercial society. He is adamant that through everything the place where reggae music aims to touch is in peoples' hearts, and their spirits. He claims that reggae is able to give to those in need... those who are searching for something that is missing, and reggae will be able to make thier world whole again. Their belief in god and love will be re-awakened in thier hearts through the lyrics and rhythms that transpire from reggae. I believe that the author refers to the culture he is submerged in as one that allows himself, and those around him, enlightenement. The music, the ideas, the soul and spirit that reggae carries with it provide the stength to give its followers clarity.

This is the perfect example of the authenticity of a culture shining through. There is no doubt that the author knows how commerical the music and associated factors can be percieved, and how wrong many people can look upon the phenomenon of 'Jamaican' music, but he encourages us to delve deeper than what we see on the surface.

His thoughts are not dissimilar from much of the literature on reggae music and the debates surrounding its commercialism. A fusion of capitalist needs and the original agenda of reggae music can often lead to the music becoming lost in its own commercialization and tourism and the market forces of the globalized music industry.

Despite this, this author is an obvious believer in the trueness of reggae and its soul and his dedication to using it to improve how the world depicts the beginnings of reggae and where its traditions emulated from.

Thursday, April 16, 2009

my boyfriend's ideas

so... i showed my boyfriend my blog and a website i had found about reggae. The question I found was on the Lion of Zion website (link here: http://www.lionofzion.com/faq/78da33340300009a0068/The+Reggae+Stigma.html)

The question was: You have chosen reggae music as your musical vehicle. How do you combat the stigma of what reggae music means to most secular audiences of today? And when on stage at a non-Christian venue, do you feel uncomfortable in any way?

When I asked this to my partner Dustin his answer did not actually surprise me... 'Aren't they all just people with dreadlocks who smoke weed?' His comment, coming from someone who works in the industy illustrates the ignorance so many of our population in Australia have about reggae music. Considering Dustin said this after I had informed him that reggae music was actually part of the rastafarian culture it seems to say alot. Most people when they hear reggae music simply think of the weed and the relaxation obtained from it. By no means would many people think that Jesus is in anyway connected.

Surprising but true.

I will return to this topic of the stigma of reggae music... my boyfriend has alone proven that reggae is much misunderstood by collective subcultures... the stereotype standing too proud. Being General Manager of two clubs in Brisbane which incorporate very different music and crowds he is not averse to being subjected to new ideas but telling him that Jesus featured in reggae shocked him more than I would assume.

This does nothing but encourage me to investigate his crazy thoughts further... and see if it is common among society...

To be continued...

Tuesday, April 14, 2009

Reggae music... welcome to it

Well... this is it.

First ever blog on my first ever site. Who knows how it will turn out... but I hope some little part of my musings about society and music's place in it may encourage you to take some interest in reggae music.

Reggae is my chosen topic of interest. There is so much about this subculture that I had completely overlooked until I probed a little deeper into its diversity and the expectations underlying the aesthetics that I began to understand the music for what it means to those at its core... who planted its roots.

From weed to rhythm, lyrics to happiness, soul to dreadlocks, each aspect of reggae holds a significance to each and every person holding reggae's culture close to their hearts.

In this blog I want to show the world what reggae can be, wants to be and is supposed to be. Each of these is different but often not assumed so.

Enough for now... or I'll have nothing to delve into later.

Keep coming back, the ride will be a fun one.

Chat soon...

...alex